“Happy Gilmore 2” Was Basically A Walking Ad—And That’s the Point

Happy Gilmore 2

Whether you laughed, cringed, or rage-tweeted your way through Happy Gilmore 2, one thing’s for sure: it was packed with cameos and product placements. Golf brands, fast food chains, energy drinks—even the sunglasses had their own close-up.

And while opinions on the film vary, its marketing game was undeniably strategic. It wasn’t just a sequel. It was a showcase of how modern content is doubling as media and marketplace.

Which brings us here: a fresh look at the new era of product placement in streaming, film, and short-form series.

The Ad Is Dead—Long Live the Story

Audiences today pay to skip commercials. They swipe past sponsored posts. But if a brand appears naturally in a show or social series they love? That’s a different story—literally.

Think about it:

  • A character’s signature sneakers in a Netflix original

  • A skincare brand baked into a TikTok rom-com series

  • A startup's tech subtly powering the plot of a YouTube drama

Product placement isn’t just tolerated anymore. When it’s smart and seamless, it’s appreciated.

Why It Works Now More Than Ever

1. Built-In Credibility
If your favorite character uses it, wears it, eats it—it’s instantly more trustworthy and aspirational.

2. Platform Agnostic
Whether it’s a streaming series or an Instagram mini-show, story-first content is where eyeballs (and emotions) live.

3. It’s Measurable
Today’s placements aren’t a guessing game. Brands can track impressions, rewatches, scene-level engagement—data that turns storytelling into strategy.

Where the Action Is

  • Streaming series (Netflix, Hulu, Amazon) – built-in brand worlds

  • Short-form content (TikTok, Reels, YouTube) – high-impact, fast-turnaround placements

  • Creator collabs – integrating products into ongoing character arcs and plotlines

And yes, even legacy comedy sequels (cough, Gilmore) are catching on.

Rule #1: Don’t Be Cringe

Bad placement sticks out. Good placement fits in. The best? It deepens the character, strengthens the scene, or adds cultural texture. It doesn’t interrupt—it integrates.

Bottom Line

Happy Gilmore 2 might not win an Oscar, but it nailed something else: visibility in an attention-scarce world. Product placement, when done right, doesn’t just sell. It embeds your brand into the culture people binge, quote, and share.

Your brand doesn’t need a Super Bowl ad. It needs a moment in the story. Ready to make one?

Thomas Frank

Partner, Chief Creative Officer at Merrick Creative. Brand and Marketing Specialist, Designer, Entrepreneur, Podcaster

https://merrickcreative.com
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